The film registers the interior of Wilton’s in a series of tracking shots, leading you through the building before revealing an impossible snowfall. The snow was created digitally, confounding the presumed indexicality of the medium while offering a contrast to the dark, 19th century interior, and a parallel to the early days of film practice and the historical period of transition from Magician’s stage illusions, as popularised in venues like Wilton’s, to ‘magic’ films such as those of Georges Melies.'
Cipher from Neil Wissink on Vimeo.