Monday, 3 October 2011

In the introductory lecture to the seminar series time[space] this video encapulates an idea of time and space by inferring a real time narrative whilst traversing the city.  It also suggests dual time zones with a split screen and the rhythms of the city are also present.
Phaseone - Sugar

PHASEONE - SUGAR from Vadim Gershman on Vimeo.
Directors: Vadim Gershman & Ryan Powell
Writers: Vadim Gershman & Lea Sorrentino
Editor: Ryan Powell
Music: Phaseone
Track: Sugar
Produced by Vadim Gershman, Ryan Powell & Andrew Jernigan

Sunday, 17 April 2011


Please excuse my appearance while my administrator executes some essential maintenance and renovations.  The site will be changing over the next few months and will be extending the research on Space and Place to ideas of Space and the Temporal.  In the meantime, while you are waiting why not check out this neat block tetris game...

Horrid music too much for this site so here's the link:

Thursday, 27 January 2011

The Love Police

I wanted to show this in the lecture but the technology wouldn't let me:

...and here's the website:

Thursday, 16 December 2010

Daihei Shibata: Shinkansen ver.2

Like the Gondry video for Star Guitar and Tal Rosner, [both links are in this blog].  Just love this sideways journeying.  Traveling in the Japanese high-speed train Shinkansen from Shinosaka to Tokyo.  The video sequence was shot by OLYMPUS EP-1(PEN).

Music: VanShe "So High"

Shinkansen ver.2 from daihei shibata on Vimeo.

Tuesday, 14 December 2010

London Futures

An exhibition of digitally enhanced images of London landmarks created to promote further awareness of climate change. The images are presented as postcards from the future, with the aim of 'bringing home the full impact of global warming, food scarcity, rising sea levels and how all Londoners will need to innovate and adapt to survive.' These images are impressive, disturbing, but complete fantasy. They show dystopia referring to a futuristic society that is purely fictional whilst applying symbols of real prejudice that is happening in the present and elsewhere in the world. They remind me of the last lecture, '...Other Destinations' where commonly known symbols and ideas are appropriated to a fake environment to stimulate viewers and evoke particular emotions.

The exhibition is currently on show at the Museum of London until the 6th March 2011. There are plenty of other images through the link - - Buckingham Palace surrounded by shanty towns, Parliament Square as a rice paddy and ice skaters on the Thames.

Thursday, 9 December 2010

how our house resembles us as a person

This is my house. It's a 6 bedroom shared student house. I think that our houses do reflect who we are as a person. for example, what things we choose to have on display and what things we choose to keep out of view, how tidy we are and the things that se have. It reflects a bit on our own individual personality to how we style the house and our bedrooms.

Wednesday, 8 December 2010


the game shows life in and around vegas in a dystopian future after nuclear war. it has a cheery optomistic 50s feel to it which is in stark contrast to the ruins all around.

電気グルーブ Denki Groove / モノノケダンス

An emergent dystopian scene, or just a rave, and maybe even a type of reversioning or reinterpretation of the Hieronymus Bosch painting, Garden of Earthly Delights, which we discussed in the lecture.  The film's disruptive unravelling of the animation process, its shoddiness, particularly at the end is presented as the ultimate horror.

Park Hill

In 1957 construction began on Park Hill, a council housing estate located in Sheffield. The construction was finished in 1961 and was received positively by the local community. What made Park Hill different from a lot of the large housing estates of the time was not just the architecture but also the sense of community.

When rehoming entire communities into a new building it wasn’t uncommon at the time for the people in charge to spilt entire communities up. However Park Hill was different as not only were neighbours able to be re-homed next to one another but the old street names from the previous area were also re-used, thus keeping the sense of community.

Although the building was initially seen as modern and offered better facilities than the current alternative at the time, decades later the building started to show its age and was in need of re-development. The building was listed in 1998 and is now being renovated by Urban Splash.

Its so common for people to quickly dismiss the future possibilities of just about any building made post-war. If its showing its age, best just to knock it down yeah? Eventually there will be a void in history when it comes to looking back at post-war buildings - particularly when it comes to social housing. Whilst some buildings can not be renovated because they are structurally unsound, the ones that aren’t should be preserved.

Although still in development, Park Hill is a great example of what can happen to architecture if people were willing to see beyond the surface and think. Although demolishing is often cheaper/easier - Plymouth Hoe Centre?